Post by darkglobe on Aug 6, 2006 12:53:57 GMT -5
Just got through seeing the film The Corpse Bride (it's great btw, for my money it's better than Nightmare Before Christmas) and was on my way online to find out about the film and the folk tale when I came across this:
www.timburtoncollective.com/corpse.html
BACKGROUND;
The Corpse Bride is a story based on actual events that occurred in 19th century Russia, at a time when anti-semitism was widespread in eastern Europe. Very often bands of anti-semites would waylay a Jewish wedding party on their way to the wedding. And because the bride would be the one to bear future generations, she would be ripped out of the carriage and murdered.
She would then be buried in her wedding gown.
So, trying find out more info about this situation, I came across this interview with Danny Elfman:
horror.about.com/od/movierelated/a/int_corpse.htm
Danny had a lot of questions to answer from the roomful of genre journalists (it’s a rare treat to talk to him, as he does not do many of these events) but one of the coolest tidbits he had to share — to a morbid person like me, anyway — was about another “Corpse Bride” project he’s been working on. “Over the last twelve years I’ve written four scripts,” he said. “The one I’ve just finished is a story, oddly, that could have been called Corpse Bride. It’s very weird. I’ve been working on it as long I have [this] Corpse Bride. It’s about a gentleman who lived with a corpse for seven years in Key West, Florida. But it’s a true story. He was named Dr. Von Cosel. It was a huge deal in the 1930s. I acquired the rights to two books almost a decade ago and started writing it about four years ago. When Tim told me about this, I said, ‘Isn’t that funny? I just started working on a thing that also has… a… corpse… bride…’ [laughter] But Dr. Von Cosel’s looked nothing like [our beautiful] Corpse Bride. It was mummified.”
Which led me to this site (with some gnarlly photos, be warned):
www.voltini.com/id43.htm
In 1927, the 50 year old Karl Tanzler arrived in Key West, Florida.
Originaly from Dresden, Germany, and having recently abandoned his wife and two daughters, he now called himself 'Count Carl Von Cosel' and claimed to have nine university degrees. He found employment as an x-ray technician and bacteriologist at Marine Hospital; in his spare time he built an airship, tinkered with curious electrical devices and played music on his home-made organ.
Then, at the hospital in April 1930, he met the woman of his dreams. Her name was Elena Milagro Hoyos, a beautiful twenty year old Spanish Cuban. She was dying from tuberculosis From this moment on Von Cosel was obsessed. Convinced he had dreamed about her for decades and that she was destined to be his bride, he lavished her with gifts (which she accepted), proposals of marriage (which she rejected) and set about trying to cure her with electric shock machines and potions of his own devising, which included specks of gold amongst their ingredients.
Elena died in October 1931, aged just 22. The heartbroken Von Cosel paid for a lavish funeral for his beloved, and she was buried.
However, unable to stand the thought of his darling Elena rotting underground, Von Cosel designed and built for her an ornate mausoleum. Her body was disinterred, placed in a new metal coffin and housed in the crypt. Night after night, Von Cosel sat next to her coffin and began, he believed, to communicate with Elena. She begged him to release her from her 'prison' so they could be together.
Unable to resist, one dark night in April 1933, Von Cosel stole Elena from the crypt and took her to his airship (which he had christened 'Countess Elaine' - one day, he planned to fly with Elena to the stars). Here, he began the job of resurrection. For the next seven years, he held her body together with piano wire, put glass eyes where her real ones used to be, made a wig of her own hair and, piece by piece, strenthened her skin with wax and silk. He treated her with lotions and potions and electrotherapy. Amongst his ressurection tools was a million volt tesla coil. He serenaded her with his home-made organ and slept beside her.
By 1940 the rumours could no longer be ignored. Elena's sister confronted Von Cosel and found the body. The Count was arrested and imprisoned to await trial for 'malicious and wanton disfigurement of a grave'.
Public interest in the case was huge. The local funeral home spotted an opportunity and put Elena's corpse on display. Over 6000 peaple came to view her body in three days.
Incredibly, the public were largely sympathetic. Many people thought that what the Count had done was marvelously romantic. He had many visitors to his cell offering gifts and support. At one time, a gang of giggling Cuban prostitutes turned up, offering their services to him for free. Two local friends posted the $1000 bail and he was released.
In court, the grand jury found no law under which Von Cosel could be tried which was not limited by the statute of limitations (two years was the statutory limitation for molesting a grave, and Elena had been with the Count for seven years). Having been declared 'sane' he was released without charge.
After declaring him 'sane', the same doctors performed the autopsy on Elena. What they discovered remained secret till 1972, when Dr. DePoo made his confession.
"I made the examination in the funeral home. The breasts really felt real. In the vaginal area, I found a tube wide enough to permit sexual intercourse. At the bottom of the tube was cotton, and in an examination of the cotton, I found there was sperm. Then I knew we were dealing with a sexual pervert."
Elena's body was buried in a secret, unmarked grave.
Facing financial difficulties, the Count left Key West to live with his sister in Zephyrhills, where he spent his days writing his memoirs and telling his story to tourists, selling them mementoes and showing them a wax replica of Elena he had made using her deathmask.
In July 1952 Von Cosel was found dead, slumped over the effigy of his beloved Elena.
In a final twist, evidence has come to light that one of those responsible for the secret burial of Elena's corpse made a switch, burying a weighted box and returning Elena to Von Cosel, which means the image of Elena he proudly displayed to tourists was not a replica at all...
www.timburtoncollective.com/corpse.html
BACKGROUND;
The Corpse Bride is a story based on actual events that occurred in 19th century Russia, at a time when anti-semitism was widespread in eastern Europe. Very often bands of anti-semites would waylay a Jewish wedding party on their way to the wedding. And because the bride would be the one to bear future generations, she would be ripped out of the carriage and murdered.
She would then be buried in her wedding gown.
So, trying find out more info about this situation, I came across this interview with Danny Elfman:
horror.about.com/od/movierelated/a/int_corpse.htm
Danny had a lot of questions to answer from the roomful of genre journalists (it’s a rare treat to talk to him, as he does not do many of these events) but one of the coolest tidbits he had to share — to a morbid person like me, anyway — was about another “Corpse Bride” project he’s been working on. “Over the last twelve years I’ve written four scripts,” he said. “The one I’ve just finished is a story, oddly, that could have been called Corpse Bride. It’s very weird. I’ve been working on it as long I have [this] Corpse Bride. It’s about a gentleman who lived with a corpse for seven years in Key West, Florida. But it’s a true story. He was named Dr. Von Cosel. It was a huge deal in the 1930s. I acquired the rights to two books almost a decade ago and started writing it about four years ago. When Tim told me about this, I said, ‘Isn’t that funny? I just started working on a thing that also has… a… corpse… bride…’ [laughter] But Dr. Von Cosel’s looked nothing like [our beautiful] Corpse Bride. It was mummified.”
Which led me to this site (with some gnarlly photos, be warned):
www.voltini.com/id43.htm
In 1927, the 50 year old Karl Tanzler arrived in Key West, Florida.
Originaly from Dresden, Germany, and having recently abandoned his wife and two daughters, he now called himself 'Count Carl Von Cosel' and claimed to have nine university degrees. He found employment as an x-ray technician and bacteriologist at Marine Hospital; in his spare time he built an airship, tinkered with curious electrical devices and played music on his home-made organ.
Then, at the hospital in April 1930, he met the woman of his dreams. Her name was Elena Milagro Hoyos, a beautiful twenty year old Spanish Cuban. She was dying from tuberculosis From this moment on Von Cosel was obsessed. Convinced he had dreamed about her for decades and that she was destined to be his bride, he lavished her with gifts (which she accepted), proposals of marriage (which she rejected) and set about trying to cure her with electric shock machines and potions of his own devising, which included specks of gold amongst their ingredients.
Elena died in October 1931, aged just 22. The heartbroken Von Cosel paid for a lavish funeral for his beloved, and she was buried.
However, unable to stand the thought of his darling Elena rotting underground, Von Cosel designed and built for her an ornate mausoleum. Her body was disinterred, placed in a new metal coffin and housed in the crypt. Night after night, Von Cosel sat next to her coffin and began, he believed, to communicate with Elena. She begged him to release her from her 'prison' so they could be together.
Unable to resist, one dark night in April 1933, Von Cosel stole Elena from the crypt and took her to his airship (which he had christened 'Countess Elaine' - one day, he planned to fly with Elena to the stars). Here, he began the job of resurrection. For the next seven years, he held her body together with piano wire, put glass eyes where her real ones used to be, made a wig of her own hair and, piece by piece, strenthened her skin with wax and silk. He treated her with lotions and potions and electrotherapy. Amongst his ressurection tools was a million volt tesla coil. He serenaded her with his home-made organ and slept beside her.
By 1940 the rumours could no longer be ignored. Elena's sister confronted Von Cosel and found the body. The Count was arrested and imprisoned to await trial for 'malicious and wanton disfigurement of a grave'.
Public interest in the case was huge. The local funeral home spotted an opportunity and put Elena's corpse on display. Over 6000 peaple came to view her body in three days.
Incredibly, the public were largely sympathetic. Many people thought that what the Count had done was marvelously romantic. He had many visitors to his cell offering gifts and support. At one time, a gang of giggling Cuban prostitutes turned up, offering their services to him for free. Two local friends posted the $1000 bail and he was released.
In court, the grand jury found no law under which Von Cosel could be tried which was not limited by the statute of limitations (two years was the statutory limitation for molesting a grave, and Elena had been with the Count for seven years). Having been declared 'sane' he was released without charge.
After declaring him 'sane', the same doctors performed the autopsy on Elena. What they discovered remained secret till 1972, when Dr. DePoo made his confession.
"I made the examination in the funeral home. The breasts really felt real. In the vaginal area, I found a tube wide enough to permit sexual intercourse. At the bottom of the tube was cotton, and in an examination of the cotton, I found there was sperm. Then I knew we were dealing with a sexual pervert."
Elena's body was buried in a secret, unmarked grave.
Facing financial difficulties, the Count left Key West to live with his sister in Zephyrhills, where he spent his days writing his memoirs and telling his story to tourists, selling them mementoes and showing them a wax replica of Elena he had made using her deathmask.
In July 1952 Von Cosel was found dead, slumped over the effigy of his beloved Elena.
In a final twist, evidence has come to light that one of those responsible for the secret burial of Elena's corpse made a switch, burying a weighted box and returning Elena to Von Cosel, which means the image of Elena he proudly displayed to tourists was not a replica at all...